Beck has traveled light years from being pegged as a reluctant generational spokesperson when “Loser” metamorphosed from a rejected demo to a ubiquitous smash. Instead he wound up crystallizing much of the post-modern ruckus of the ‘90s alternative explosion, but in his own unpredictable manner: Beck’s singular career has been one that’s seen him utilize all manners and eras of music, blurring boundaries and blazing a path into the future while simultaneously foraging through the past.
Surfacing just as alternative rock went mainstream, no small thanks to his 1994 debut Mellow Gold, Beck quickly confounded expectations with subsequent releases including the lo-fi folk of One Foot in the Grave, delivered on the K imprint.
But the album that truly cemented Beck’s place in the pantheon was 1996’s multi-platinum Odelay, which touched upon all of his obsessions, providing a cultural keystone for the decade from the indelible hook of “Devil’s Haircut” to the irresistible call and response of the anthemic “Where It’s At.”
From the world-tripping ballads and atmospherics of 1998′s Mutations and the florescent funk of 1999′s Midnite Vultures through the somber reflections of 2002′s Sea Change, 2005′s platinum tour de force Guero and 2006′s sprawling The Information, no Beck record has ever sounded like its predecessor. In the interim since his last album, 2008′s universally acclaimed Danger Mouse–produced Modern Guilt, Beck has eschewed the typical album/tour/repeat cycle of the music business.
Instead, he has expanded his creative palette into such multimedia endeavors as a one-time-only live re-imagination of David Bowie’s “Sound and Vision” utilizing 160+ musicians in a 360-degree audiovisual production and Song Reader, released December 2012 by McSweeney’s as 20 songs existing only as individual pieces of sheet music, never before released or recorded, complete with full-color original art for each song and a lavishly produced hardcover carrying case.
This is not to say that Beck won’t be back with a new album — in fact we can expect two Beck albums in the not-too-distant future. And to tide us over in the meantime, we’ve got the standalone singles he’s been releasing digitally and on 12-inch vinyl (“Defriended,” “I Won’t Be Long”), his current live shows touted by reviewers as among the very best of his career… and of course his stops on Station to Station.