Moving images by Bruce Conner will be shown at each Station to Station stop.
Bruce Conner was an American artist renowned for his work in assemblage, film, drawing, sculpture, painting, collage and photography, among other disciplines.
Conner worked in a variety of mediums from an early age. His first solo gallery show in New York City took place in 1956 and featured paintings. His first solo shows in San Francisco, in 1958 and 1959, featured paintings, drawings, prints, collages, assemblages and sculpture. Conner first attracted widespread attention with his moody, nylon-shrouded assemblages, complex amalgams of found objects such as women’s stockings, bicycle wheels, broken dolls, fur, fringe, costume jewelry and candles, often combined with collaged or painted surfaces. Erotically charged and tinged with echoes of both the Surrealist tradition and of San Francisco’s Victorian past, these works established Conner as a leading figure within the international assemblage “movement.” Generally, these works do not have precise meanings, but some of them suggest what Conner saw as the discarded beauty of modern America, the deforming impact of society on the individual, violence against women, and consumerism. Social commentary and dissension remained a common theme among his later works.